Two-time Oscar nominee Keira Knightley is known for being in "period pieces" such as "Pride and Prejudice," so her playing the lead in the new film "Official Secrets," scheduled to be release in the U.S. this Friday, may seem odd at first. That is until one considers that the time span being depicted -- the early 2003 run-up to the invasion of Iraq -- is one of the most dramatic and consequential periods of modern human history.
It is also one of the most poorly understood, in part because the story of Katharine Gun, played by Knightley, is so little known. I should say from the outset that having followed this story from the start, I find this film to be, by Hollywood standards, a remarkably accurate account of what has happened to date. "To date" because the wider story still isn't really over.
Katharine Gun worked as an analyst for Government Communications Headquarters, the British equivalent of the secretive U.S. National Security Agency. She tried to stop the impending invasion of Iraq in early 2003 by exposing the deceit of George W. Bush and Tony Blair in their claims about Iraq. She was prosecuted under the Official Secrets Act -- a juiced up version of the U.S. Espionage Act, which has in recent years been used repeatedly by the Obama administration against whistleblowers and now by the Trump administration against Wikileaks publisher Julian Assange.
Gun was charged for exposing -- around the time of Colin Powell's infamous testimony to the UN about Iraq's alleged WMDs -- a top secret U.S. government memo showing it was mounting an illegal spying “surge” against other U.N. Security Council delegations in an effort to force approval for an Iraq invasion resolution. The U.S. and Britain had successfully forced through a trumped up resolution, 1441 in November 2002. In early 2003, they were poised to threaten, bribe or blackmail their way to actual United Nations authorization for the invasion. See recent interview with Gun.
The leaked memo, published by the British Observer, was big news in parts of the world, especially the targeted countries on the Security Council, and effectively prevented Bush and Blair from getting a second UN Security Council resolution they said they wanted.
U.S. government started the invasion anyway of course -- without Security Council authorization -- by telling the UN weapons inspectors to leave Iraq and issuing a unilateral demand that Saddam Hussein leave Iraq in 48 hours -- and then saying the invasion would commence regardless.
It was the executive director of the Institute for Public Accuracy, where I work (accuracy.org), Norman Solomon, as well as Pentagon Papers whistleblower Daniel Ellsberg who in the U.S. most immediately saw the importance of what Gun did. Dan would later comment: “No one else -- including myself -- has ever done what Katharine Gun did: Tell secret truths at personal risk, before an imminent war, in time, possibly, to avert it. Hers was the most important -- and courageous -- leak I’ve ever seen, more timely and potentially more effective than the Pentagon Papers.”Of course, we didn't know her name at the time. After the Observer broke the story on March 1, 2003, we at accuracy.org put out a series of news releases on it and organized a sadly sparsely attended news conference with Dan on March 11, 2003 at the National Press Club, focusing on Gun's revelations and Dan calling for more such truth telling to stop the impending invasion.
Even though I followed this case for years, I didn't realize until recently that our work helped compel Gun to expose the document. I didn't know till a recent D.C. showing of "Official Secrets" that Gun had read a book co-authored by Norman, published in January 2003 which included material from accuracy.org as well as the media watch group FAIR that debunked many of the falsehoods for war and was published in January of 2003.
Said Gun about the period just before she disclosed the document: "I went to the local bookshop, and I went into the political section. I found two books, which had apparently been rushed into publication, one was by Norman Solomon and Reese Erlich, and it was called Target Iraq. And the other one was by Milan Rai. It was called War Plan Iraq. And I bought both of them. And I read them cover to cover that weekend, and it basically convinced me that there was no real evidence for this war. So I think from that point onward, I was very critical and scrutinizing everything that was being said in the media."
Thus, we see Gun shouting at the TV to Tony Blair that he's not entitled to make up facts, so the film may be jarring to some consumers of major media who might think that Trump invented lying in 2017.
But Gun's immediate action after reading critiques of U.S. policy and media coverage is a remarkable case for trying to reach government workers, handing out fliers, books, having billboards outside government offices, to encourage them to be more critically minded.
I honestly didn't fully appreciate the value of the exposure as much as Dan and Norman did at the time. To my mind, the lies were obvious, We debunked Bush administration propaganda in real time -- see an overview of our work that I wrote to Rob Reiner when I learned of his then-upcoming film, "Shock and Awe". But Gun's revelation showed that the U.S. and British governments were not only lying to get to invade Iraq, they were engaging in outright violations of international law to blackmail whole countries to get in line.
It's funny to read mainstream reviews of "Official Secrets" now -- they seem to still not fully grasp the importance of what they just saw. The trendy AV Club review leads: "Virtually everyone now agrees that the 2003 invasion of Iraq was a colossal mistake based on faulty (at best) or fabricated (at worst) intelligence." Well, "mistake" is a serious understatement even with "colossal" attached to it for something so fervently pursued and you just saw a movie about the diabolical, illegal lengths to which the U.S. and British governments went to get everyone in line for it. So, no "fabricated" is not the "worst" it is.
Gun's revelations showed before the invasion that people on the inside, whose livelihood depends on following the party line, were willing to risk jail time to out the lies and threats.
Other than Gun herself, the film focuses on a dramatization of what happened at her work; as well as her relationship with her husband, who happens to be a Kurdish gentleman from Turkey -- with the British government attempting to get at Gun by moving to deport him. The other key focuses in the film are her able legal team at Liberty and the drama at The Observer, which published the NSA document after much debate.
Observer reporter Martin Bright, whose stellar work on the original Gun story was strangely followed by things like predictably ill fated stints at organizations like the Tony Blair Faith Foundation, has recently noted that very little additional work has been done on this key case. We know virtually nothing about the apparent author of the NSA document -- one "Frank Koza." How prevalent is this sort of blackmail? How exactly is it leveraged? If the U.S. government does this sort of thing, why would they wait till the last minute? Does it fit in with allegations made by former NSA analyst Russ Tice about the NSA having massive files on political people?
There must doubtlessly be many aspects of the film that have been simplified or altered regarding Gun's personal experience; notably absent from the film are the roles played by her parents, which I believe are considerable. A memoir from her would be a valuable historical document. A compelling part of the film -- apparently fictitious or exaggerated -- is the apparatchik of GCHQ security questioning Gun to see if she was the source, recounting her ethical and educational background, particularly that she was raised largely outside of Britain.
Biden has actually faulted Bush for not doing enough to get United Nations approval for the Iraq invasion. In fact, as the Gun case helps show, the legitimate case for invasion was non-existent and the Bush administration had done virtually everything both legal and illegal to get United Nations authorization.
Most everyone attempts to distance themselves from the Iraq invasion, but it has effectively enveloped our culture. The wars it spawned, as in Syria, and Iraq itself, and arguably elsewhere, continue with minimal attention or protest. The U.S. regularly threatens Iran, Venezuela and other countries. The journalists who pushed and propagandized in favor of the Iraq invasion are prosperous and atop major news organizations -- the editor who argued most strongly against publication of the NSA document at The Observer, Kamal Ahmed, is now editorial director of BBC News. After the U.S. and Britain failed to get a second resolution before the invasion, they got a resolution after the invasion effectively accepting the U.S. as the Occupying Power in Iraq (UNSCR 1472) on March 28, 2003; see accuracy.org news release on the same day -- "U.N. -- Accessory After the Fact?"
Documents leaked by Edward Snowden and published by The Intercept in 2016 boasted of how the NSA “during the wind-up to the Iraq War ‘played a critical role’ in the adoption of U.N. Security Council resolutions. The work with that customer was a resounding success.” The relevant document specifically cites resolutions 1441 and 1472 and quotes John Negroponte, then the U.S. ambassador to the United Nations: “I can’t imagine better intelligence support for a diplomatic mission.” (Notably, The Intercept has never published a word on "Katharine Gun.")
The British government -- unlike the U.S. government -- did ultimately produce a study ostensibly around the decision-making leading to the invasion of Iraq, the Chilcot Report in 2016. But that report -- called "devastating" by the New York Times-- incredibly made no mention of the Gun case. See accuracy.org release from 2016: "Chilcot Report Avoids Smoking Gun."
Spoiler: After Katharine Gun's identity became known, we at the Institute for Public Accuracy brought on Jeff Cohen, the founder of FAIR, to work with Hollie Ainbinder to get prominent individuals to support Gun. The film -- quite plausibly -- depicts the charges being dropped against Gun for the simple reason that the British government feared that a high profile proceeding would effectively put the war on trial, which to them would be nightmare.
And, as these wars and lies continue, it still may.
Sam Husseini is senior analyst at the Institute for Public Accuracy. A version of this article first appeared on Consortium News.